I have researched different movies that have relevance to identity in some way. I thought we could take ideas maybe and use them in our own work. This could help us with our S.W.E.D notes as an example of stimuluses' we used for a variety of ideas.
Films:
Enough: A Cinderella story turns into a nightmare when a former waitress' perfect marriage gives way to adultery and physical abuse in this combination of domestic drama and revenge thriller. Motherless young woman Slim (Jennifer Lopez) works in a San Francisco diner with her best friend, Ginny (Juliette Lewis). After almost succumbing to the slick flirtation of an insincere customer (Noah Wyle), she is rescued by another dashing diner named Mitch (Bill Campbell). A few years later, the now happily married couple seem to have it all -- a perfect house, a precocious daughter (Tessa Allen), and a comfortable life. Then, Slim discovers that Mitch is actually a lothario who has been sleeping with other women behind her back. When she protests, he slaps her around and uses daughter Gracie as leverage to keep her in line. Slim enlists the help of her friends to escape with her child, though Mitch attacks and very nearly kills her in the process. Going on the lam, Slim adopts a series of new identities, wigs, and residences to avoid the goons Mitch has sent to retrieve her. Along the way, she receives help from Joe (Dan Futterman), a friend and old flame from college. Ultimately, Mitch and his unexpected allies so terrify Slim that she must turn the tables and transform herself from hunted to hunter. In doing so, she receives some surprise assistance of her own -- from Jupiter (Fred Ward), the rich father who abandoned her mother years ago. Although the soundtrack to Enough features the music of star J. Lo, the title song was written especially for the film by Magnolia tunesmith Aimee Mann. ~ Brian J. Dillard, Rovi
Catch me if you can: New Rochelle, the 1960s. High schooler Frank Abagnale Jr. idolizes his father, who's in trouble with the IRS. When his parents separate, Frank runs away to Manhattan with $25 in his checking account, vowing to regain dad's losses and get his parents back together. Just a few years later, the FBI tracks him down in France; he's extradited, tried, and jailed for passing more than $4,000,000 in bad checks. Along the way, he's posed as a Pan Am pilot, a pediatrician, and an attorney. And, from nearly the beginning of this life of crime, he's been pursued by a dour FBI agent, Carl Hanratty. What starts as cat and mouse becomes something akin to father and son.
Sleeping with the enemy:Wealthy Laura and Martin Burney have a passionate marriage. Martin's passion manifests itself in a need for complete control and order, which in turn results in violence against Laura when that control and order is lost. This violence is generally followed by an act of controlled forgiveness. She is scared of his violent tendencies, which are hidden underneath a public veneer of perfection. A non-swimming Laura supposedly drowns during a sailing accident. The accident however was really a premeditated escape plan by a swimming-able and still alive Laura, who knew that Martin would never allow her to leave him as long as she was alive. Rechristening herself Sarah Waters, Laura travels from their Cape Cod home to Cedar Falls, Iowa to be closer to her blind, wheelchair-bound and nursing home residing mother, who Martin believes is dead. Although apprehensive at first, Laura begins a relationship there with Ben Woodward, the local college's drama professor who is attracted to her despite the many secrets he knows she is keeping from him. Meanwhile, Martin stumbles onto evidence that Laura may still be alive, and stops at nothing to discover the truth so that he can carry out his promise of never letting her go while she's still alive. That promise extends to anyone who may be helping her, such as Ben.
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